TF11
Single microphone system
Each system includes:
- TF11 Microphone
- MC11 Microphone Case
- M 703 Shock Mount
- M 782 Stand Mount
- MS01 Microphone Sleeve
The compact, cardioid only TF11 is versatile, portable, and dependable for all recording environments from home to studio to stage.
$895.00 – $1,785.00
The compact, cardioid only TF11 is versatile, portable, and dependable for all recording environments from home to studio to stage.
$895.00 – $1,785.00
The TF11 is a unique design and a new take on the large diaphragm condenser microphone. Blending an Austrian-inspired voicing similar to the legendary C12 with modern FET high performance, the TF11 features a beautifully open and detailed frequency response with exceptionally fast transient response, high SPL handling, and low self-noise. The compact, Cardioid-only TF11 is versatile, portable, and dependable for all recording environments from home to studio to stage. Countless sources including voice, drum overheads, and acoustic instruments shine when captured with this microphone. Hand-assembled in the USA, the TF11 features a CK12-style edge terminated capsule, premium through-hole components, and a custom UK-made OEP/Carnhill output transformer.
Type: FET Condenser
Polar Pattern: Cardioid
Frequency Range: 20 Hz – 20 kHz, ±3 dB
Power Source: +48V Phantom Power
Capsule: TK51S – Edge Terminated Large Diaphragm, Single Membrane
Transformer: OEP/Carnhill T218
Sensitivity: 14 mV/Pa, ±1 dB
THD at 1kHZ at 1Pa (Amplifier): 0.005%
Output Impedance: < 200 Ω
Maximum SPL (for 1% THD): > 135 dB
S/N Ratio: 90 dBA
Self Noise (Amplifier): 4 dBA
Dimensions: 175 mm L x 46 mm Dia
Weight: 545 g
Included Accessories: Shock Mount, Stand Mount, Mic Sleeve, Mic Case
Tab Content
Single microphone system
Each system includes:
A frequency and gain matched pair of microphones
Each system includes:
“The top end is bright and not hyped, and it’s open and airy, the way you want, especially for modern R&B, you want that top end on there, but for things I would usually do for an R&B or a pop record, like boosting EQ to brighten it up — I don’t need to do that with the TF11. It just sounds that way right out of the box, which makes the whole process easier for tracking, and then of course, all the way through mixing. I’m having to work less to get the right sound.”